Nicoletta Isar

Nicoletta Isar

Associate professor emerIta, !!Lektor emerita


  1. 1995
  2. Published

    Entry of Theotokos into the Temple

    Isar, Nicoletta, 1995, In: Canadian Orthodox Messenger. v 1, nr 2, p. 20-21

    Research output: Contribution to journalJournal articleResearch

  3. 1996
  4. Published

    Text (Wall) Image - a semiotic approach of the post-byzantine décoration of the Moldavian churches

    Isar, Nicoletta, 1996, Byzantium. Identity, Image, Influence. Abstracts XiX International Congress of Byzantine Studies. University of Copenhagen, p. 5334

    Research output: Chapter in Book/Report/Conference proceedingConference abstract in proceedingsResearch

  5. Published

    The Nativity of Christ: A Theophany

    Isar, Nicoletta, 1996, In: Peregrina.

    Research output: Contribution to journalJournal articleResearch

  6. Published

    Valorisation épigraphique dans l'herméneutique iconographique de l'image

    Isar, Nicoletta, 1996, In: Byzantinoslavica: revue internationale des études byzantines. LVII (1996) 2, p. 351-375

    Research output: Contribution to journalJournal articleResearchpeer-review

  7. 1998
  8. Published

    L'iconicité du texte dans l'image post-byzantine moldave: une lecture hésychaste

    Isar, Nicoletta, 1998, In: Byzantinoslavica: revue internationale des études byzantines. LIX (1998) 1, p. 92-112

    Research output: Contribution to journalJournal articleResearchpeer-review

  9. 1999
  10. Published

    Icoana ca presenta (The Icon as Presence)

    Isar, Nicoletta, 1999, In: Vestitorul Ortodoxiei. Anul XI nr. 234-235, p. 8-10

    Research output: Contribution to journalJournal articleResearch

  11. Published

    Le mur aboli: le sacrement de la Parole dans les absides des eglises moldaves

    Isar, Nicoletta, 1999, In: Byzantinoslavica: revue internationale des études byzantines. LX (1999) 2, p. 611-632

    Research output: Contribution to journalJournal articleResearchpeer-review

  12. Published

    The Living Wall: The Techniques of Incarnation and Restoration in Post-byzantine Moldavian Outside Paintings

    Isar, Nicoletta, 1999, Changes in Post-Byzantine Icon Painting Techniques ICOM Commitee for Conservation Interim meeting of the Icon Research Area. The Valamo Conservation Institute, p. 43-44

    Research output: Chapter in Book/Report/Conference proceedingConference abstract in proceedingsResearch

  13. 2000
  14. Published

    The Iconic Chora: A Space of Kenotic Presence and Void

    Isar, Nicoletta, 2000, In: Transfiguration: Nordisk tidsskrift for kunst og kristendom. no. 2, p. 64-80

    Research output: Contribution to journalJournal articleResearchpeer-review

  15. Published

    The Vision and its "Exceedingly Blessed Beholder". Of Desire and Participation in the Icon

    Isar, Nicoletta, 2000, In: RES: The Journal of Anthropology and Aesthetics. 38, p. 56-72

    Research output: Contribution to journalJournal articleResearchpeer-review

  16. 2001
  17. Published

    A "Leap" into the Physics and the Metaphysics of the Puppet at the Beginning of the Twentieth Century

    Isar, Nicoletta, 2001.

    Research output: Contribution to conferenceConference abstract for conferenceResearch

  18. Published

    Et "spring" ind i det tyvende århundredes dukkes fysik og metafysik

    Isar, Nicoletta, 2001, Marionet: Metafysik, Mekanik, Modernitet. internationalt symposium, gæstespil, workshop og arbejdsdemonstrationer, københavn, 28. marts - 1. april 2001. Københavns Internationale Teater - KIT, p. 11

    Research output: Chapter in Book/Report/Conference proceedingConference abstract in proceedingsResearch

  19. Published

    The Dance of Adam: Anastasis - a nuptial ceremonial?

    Isar, Nicoletta, 2001, Pré-Actes XXe Congrès International des Études Byzantines. Collège de France Sorbonne, p. 450

    Research output: Chapter in Book/Report/Conference proceedingConference abstract in proceedingsResearch

  20. 2003
  21. Published

    The Dance of Adam: Reconstructing the Byzantine Chorós

    Isar, Nicoletta, 2003, In: Byzantinoslavica: revue internationale des études byzantines. LXI, p. 179-204

    Research output: Contribution to journalJournal articleResearchpeer-review

  22. Published

    To the Stranger with Love: Of Hospitality (Philoxenia) and the Exchanged Gifts

    Isar, Nicoletta, 2003, In: Romanian Journal of International Affairs. IX special issue, p. 117-122

    Research output: Contribution to journalJournal articleResearch

  23. Published

    Une mise en signe de l'espace social et culturel de la Moldavie á la fin du XVIe siécle. Les fondateurs de Sucevita á travers leurs portraits. Une image du pouvoir autocratique

    Isar, Nicoletta, 2003, Inchinare lui Petre S. Nasturel la 80 de ani. Braila: Istros, p. 433-463

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  24. 2004
  25. Published

    "Miraklernes Tid" Translucent Vision of Alphaville - a Chora Space In-Between

    Isar, Nicoletta, 2004, Værløse Bymidte den 3. Sept. - 12. Sept. 2004 Lyrik-Installation/ Bog/ Digtsamling. Værløse: Trykt hos Ekspressen Tryk, p. 5-14 9 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  26. Published

    Chorography (Chôra, Chôros, Chorós) - A performative paradigm of creation of sacred space in Byzantium

    Isar, Nicoletta, 2004, Hierotopy:  Studies in the Making of Sacred Space. Radunitsa, p. 36-38

    Research output: Chapter in Book/Report/Conference proceedingConference abstract in proceedingsResearch

  27. Published

    Chorós of Light: Vision of the Sacred in Paulus the Silentiary's poem Descriptio S. Sophiae

    Isar, Nicoletta, 2004, In: Byzantinische Forschungen. Internationale Zeitschrift für Byzantinistik. XXVIII, p. 215-242

    Research output: Contribution to journalJournal articleResearchpeer-review

  28. Published
  29. Published

    The Broken Image Splits and Cutting: Modern Representation and its Beginnings

    Isar, Nicoletta, 2004, Signs of Change. Transformations of Christian Traditions and their Representations in the Arts, 1000-2000. Amsterdam - New York: Brill | Rodopi, p. 113-136

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  30. 2005
  31. Published

    Chorography: The undecidable chora - a space for choreographic inscription

    Isar, Nicoletta, 2005, In: AFART#23. #12, p. 23-25

    Research output: Contribution to journalJournal articleResearch

  32. Published

    Choros: Dancing into the Sacred Space of Chora

    Isar, Nicoletta, 2005, In: Byzantion. Tome LXXV, p. 199-224

    Research output: Contribution to journalJournal articleResearchpeer-review

  33. Published

    Encounter with the Holy

    Isar, Nicoletta, 2005, ICON DIALOG. København: Multivers, p. 14-19, 97-99 9 p.

    Research output: Chapter in Book/Report/Conference proceedingReport chapterResearch

  34. Published

    Undoing forgetfulness: Chiasmus of Poetical Mind - a Cultural Paradigm of Archetypal Imagination

    Isar, Nicoletta, 2005, In: Europe's Journal of Psychology. vol, 1, nr. 3 (August)

    Research output: Contribution to journalJournal articleResearchpeer-review

  35. 2006
  36. Published

    "Chorography (Chôra, Chôros, Chôrós) - A performative paradigm of creation of sacred space in Byzantium."

    Isar, Nicoletta, 2006, Hierotopy: The Creation of Sacred Spaces in Byzantium and Medieval Russia.. Moscow: INDRIK, p. 59-90

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  37. Published

    ARThropology: A Slice of Life

    Isar, Nicoletta, 2006, MADE IN VIDEO - International festival for eksperimental videokunst. København 2006.. København: Chamber of Public Secrets (CPS), p. 15-17

    Research output: Chapter in Book/Report/Conference proceedingReport chapterResearch

  38. Published

    Hierotopy of light: inscribing sacred space in Byzantium

    Isar, Nicoletta, 2006, Proceedings of the 21st International Congress of Byzantine Studies, London 21-26 August 2006. p. 214-215

    Research output: Chapter in Book/Report/Conference proceedingConference abstract in proceedingsResearch

  39. Published

    L'espace iconique - inscription et transfiguration. la rhétorique paradoxale de l'mage sacrée à l'âge postbyzantin

    Isar, Nicoletta, 2006, In: Scripta & e-Scripta. Vol. 3-4, p. 199-224

    Research output: Contribution to journalJournal articleResearchpeer-review

  40. Published

    Theatre of Presence - Antero Alli's Paratheatrical ReSearch Lab

    Isar, Nicoletta, 2006.

    Research output: Contribution to conferenceConference abstract for conferenceResearch

  41. Published

      Icons at the Willumsen Museum in Denmark. Ethical Issues on Icon Research and Conservation

    Isar, Nicoletta, 2006.

    Research output: Contribution to conferencePaperResearch

  42. 2008
  43. Published

    Christina Mosegaards barok-vision: om folder, ansigter og stilhed

    Isar, Nicoletta, 2008

    Research output: Other contributionResearch

  44. Published

    From "World Picture" to Image/Sound World: The Spatialization of Sound in Viola's Video Installations

    Isar, Nicoletta, 2008, In: Cinematographic Art. 3, p. 41-49

    Research output: Contribution to journalJournal articleResearchpeer-review

  45. Published
  46. Published

    THE EXQUISITE GIFT: A Quest for the Paradisiac Leap in Modernism 

    Isar, Nicoletta, 2008, In: Cinematographic Art. 2, p. 26-37

    Research output: Contribution to journalJournal articleResearchpeer-review

  47. Published

    VICTOR HAGEA AMAZING!

    Isar, Nicoletta, 2008, London: WOA /WORLD OF ART Publishing Petru Russu. 66 p.

    Research output: Book/ReportBookResearchpeer-review

  48. Published

    Viola's Passionate Interregnum: Performing the Chôra Space-in-Between

    Isar, Nicoletta, 2008, In: Bulletin of the Transilvania University of Brasov. 1 (50), series IV, p. 199-204

    Research output: Contribution to journalJournal articleResearchpeer-review

  49. 2009
  50. Published

    CELICA IHERUSALEM CAROLINA: Imperial Eschatology and Light Apocalypticism in the Palatine Chapel at Aachen

    Isar, Nicoletta, 2009, New Jerusalems: Hierotopy and Iconography of Sacred Spaces. Lidov, A. (ed.). Moscow: INDRIK, p. 311-337 27 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  51. Published

    Chorography: A Space for Choreographic Inscription

    Isar, Nicoletta, 2009, In: Bulletin of the Transilvania University of Brasov. 2 (51), p. 263-268 6 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  52. Published

    Chôra: Tracing the Presence

    Isar, Nicoletta, 2009, In: Review of European Studies. 1, 1, p. 39-55 17 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  53. Published

    Chôra : Creation and Pathology: An Inquiry into the Origins of Illness and Human Response

    Isar, Nicoletta, 2009, In: Europe's Journal of Psychology. 2, p. 96-109 14 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  54. Published

    Vision and Performance. A Hierotopic Approach to Contemporary Art

    Isar, Nicoletta, 2009, Hierotopy: Comparative Studies of Sacred Spaces. Moscow: INDRIK, p. 328-362 34 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  55. 2010
  56. Published

    Voice Under Erasure: Viola’s Choral Visions and his Phonophobia

    Isar, Nicoletta, 2010, In: Cinematographic Art. 1 (5), p. 8-13 6 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  57. Published

    With Silent Lips: Sacred Prayers in Byzantine Ekphraseis and Other Text(iles)

    Isar, Nicoletta, 2010, Filologija. Istorija. Izkustvoznanie.: Sbornik izsledvanija v cest na prof. dfn Stefan Smjadovski. Sofia: Izdatelstvo Valentin Trajanov, p. 215-232 18 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

  58. 2011
  59. Published

    Enchanting Poetry in Stone: Being Moved by Light in the Space of Hagia Sophia

    Isar, Nicoletta, 2011, In: Medieval and Early Modern Studies for Central and Eastern Europe. III (2011), p. 19-30 12 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  60. Published

    Imperial ΧΟΡÓΣ:A Spatial Icon of Time as Eternity

    Isar, Nicoletta, 2011, Spatial icons. Performativity in Byzantium and Medieval Russia. Moscow: Indrik, p. 143-166 24 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  61. Published

    XOPÓS = Chorós : the dance of Adam: The Making of Byzantine Chorography. The Anthropology of the Choir of Dance in Byzantium

    Isar, Nicoletta, 25 May 2011, Leiden: Alexandros Press. 448 p.

    Research output: Book/ReportBookResearchpeer-review

  62. 2012
  63. Published

    Dazzling Presence: An Essay in the Phenomenology of the Saturated Phenomenon

    Isar, Nicoletta, 2012, In: Euresis: Cahiers Roumains d'Etudes Litteraires. p. 130-139 10 p.

    Research output: Contribution to journalJournal articleResearchpeer-review

  64. Published

    Discipline du corps sonore, et mathématiques de l'enchantement à l'âge classique: Les Boréades de Rameau - un espace à charmer

    Isar, Nicoletta, Nov 2012, Pensée, pratiques et représentations de la discipline à l'âge moderne. Di Bella, S. (ed.). Paris: Garnier, p. 107-124 18 p. (Rencontres, Vol. 39).

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  65. 2013
  66. Published

    Capital Visions of Brancoveanu: The Martyrs Dance

    Isar, Nicoletta, 2013, Constantin Brancoveanu: The Power of Vision. Bucharest: CORESI Administration of the National Cultural Fund, p. 43-109 67 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearch

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