The Globalization of the Danish Documentarry. Creative collaboration and modes of global documentaries

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In this article I discuss basic dimensions of globalisation and basic documentary modes or prototypes with special reference to Bill Nichols (2001), Carl Plantinga (1997) and Ib Bondebjerg (2014). After having presented this more theoretical context I analyse different dimensions of the globalization through Danish examples, looking at the production context, the thematic, aesthetic and generic modes.. My cases illustrate different modes of addressing the global and also use elements from different basic documentary modes. A special focus is the rise of transnational creative collaboration.
Original languageEnglish
Title of host publicationNordic Film Cultures and Cinemas of Elsewhere
EditorsAnna Stenport, Arne Lunde
Place of PublicationEdinburgh
PublisherEdinburgh University Press
Publication date15 Sep 2019
Publication statusAccepted/In press - 15 Sep 2019
SeriesTraditions in World Cinema

ID: 185071160