Confronting the Past: Trauma, History and Memory in Wajda's Film

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Confronting the Past : Trauma, History and Memory in Wajda's Film. / Bondebjerg, Ib.

In: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, Vol. XI, No. 20, 30.05.2013, p. 37-51.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Bondebjerg, I 2013, 'Confronting the Past: Trauma, History and Memory in Wajda's Film', Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, vol. XI, no. 20, pp. 37-51. <https://repozytorium.amu.edu.pl/jspui/bitstream/10593/7060/1/Ib%20Bondebjerg%20-%20Confronting%20the%20Past.%20Trauma,%20History%20and%20Memory%20in%20Wajda's%20film.pdf>

APA

Bondebjerg, I. (2013). Confronting the Past: Trauma, History and Memory in Wajda's Film. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, XI(20), 37-51. https://repozytorium.amu.edu.pl/jspui/bitstream/10593/7060/1/Ib%20Bondebjerg%20-%20Confronting%20the%20Past.%20Trauma,%20History%20and%20Memory%20in%20Wajda's%20film.pdf

Vancouver

Bondebjerg I. Confronting the Past: Trauma, History and Memory in Wajda's Film. Images. The International Journal of European Film, Performing Arts and Audiovisual Communication. 2013 May 30;XI(20):37-51.

Author

Bondebjerg, Ib. / Confronting the Past : Trauma, History and Memory in Wajda's Film. In: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication. 2013 ; Vol. XI, No. 20. pp. 37-51.

Bibtex

@article{69f6f240efba43be9848aab63dfded53,
title = "Confronting the Past: Trauma, History and Memory in Wajda's Film",
abstract = "Historical films are important carriers of collective memory, and as a genre historical films can activate both strong feelings and strong debate. Historical fiction films often tell very accurate and almost documentary stories, but fictional films have the freedom to make historical reality in quite another way than factual historical films. This article deals with some of the most important historical film genres and uses a general theory of genres, emotions, memory and history to analyse the historical films of Polish film director Andrzej Wajda, especially those made post 1989. Dealing with both his heritage drama Pan Tadeusz (1999) and critical historical drama Katyn (2007), the article analyses the ways in which Wajda uses historical narratives to comment on both history and contemporary society, and how this strategy is reflected in all his historical films. The article argues that the traumatic and contrast-filled history of Poland makes historical films especially important and interesting as a critical part of public debate and the reframing and reinterpretation of the past",
keywords = "Faculty of Humanities, film history, Polish film",
author = "Ib Bondebjerg",
year = "2013",
month = may,
day = "30",
language = "English",
volume = "XI",
pages = "37--51",
journal = "Images (Poland)",
issn = "1731-450X",
publisher = "Wydawnictwo Naukowe UAM",
number = "20",

}

RIS

TY - JOUR

T1 - Confronting the Past

T2 - Trauma, History and Memory in Wajda's Film

AU - Bondebjerg, Ib

PY - 2013/5/30

Y1 - 2013/5/30

N2 - Historical films are important carriers of collective memory, and as a genre historical films can activate both strong feelings and strong debate. Historical fiction films often tell very accurate and almost documentary stories, but fictional films have the freedom to make historical reality in quite another way than factual historical films. This article deals with some of the most important historical film genres and uses a general theory of genres, emotions, memory and history to analyse the historical films of Polish film director Andrzej Wajda, especially those made post 1989. Dealing with both his heritage drama Pan Tadeusz (1999) and critical historical drama Katyn (2007), the article analyses the ways in which Wajda uses historical narratives to comment on both history and contemporary society, and how this strategy is reflected in all his historical films. The article argues that the traumatic and contrast-filled history of Poland makes historical films especially important and interesting as a critical part of public debate and the reframing and reinterpretation of the past

AB - Historical films are important carriers of collective memory, and as a genre historical films can activate both strong feelings and strong debate. Historical fiction films often tell very accurate and almost documentary stories, but fictional films have the freedom to make historical reality in quite another way than factual historical films. This article deals with some of the most important historical film genres and uses a general theory of genres, emotions, memory and history to analyse the historical films of Polish film director Andrzej Wajda, especially those made post 1989. Dealing with both his heritage drama Pan Tadeusz (1999) and critical historical drama Katyn (2007), the article analyses the ways in which Wajda uses historical narratives to comment on both history and contemporary society, and how this strategy is reflected in all his historical films. The article argues that the traumatic and contrast-filled history of Poland makes historical films especially important and interesting as a critical part of public debate and the reframing and reinterpretation of the past

KW - Faculty of Humanities

KW - film history

KW - Polish film

M3 - Journal article

VL - XI

SP - 37

EP - 51

JO - Images (Poland)

JF - Images (Poland)

SN - 1731-450X

IS - 20

ER -

ID: 43474563