The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

The world goes modern  : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop. / Handberg, Kristian.

In: Journal of Aesthetics and Culture, Vol. 8, 29.04.2016.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Handberg, K 2016, 'The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop', Journal of Aesthetics and Culture, vol. 8. https://doi.org/10.3402/jac.v8.30925

APA

Handberg, K. (2016). The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop. Journal of Aesthetics and Culture, 8. https://doi.org/10.3402/jac.v8.30925

Vancouver

Handberg K. The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop. Journal of Aesthetics and Culture. 2016 Apr 29;8. https://doi.org/10.3402/jac.v8.30925

Author

Handberg, Kristian. / The world goes modern  : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop. In: Journal of Aesthetics and Culture. 2016 ; Vol. 8.

Bibtex

@article{87c103ae68cd4916b4bd71b47b0eba0a,
title = "The world goes modern : new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop",
abstract = "The article analyzes the contemporary art historical focus on multiple modernities through two significant exhibitions: After Year Zero at Haus der Kulturen der Welt, Berlin 2013/Museum of Modern Art, Warsaw 2015 and The World Goes Pop, Tate Modern, London (2015). These different exhibitions are aimed at re-reading the post-1945 era in a global context, discussing how arts and culture responded to a global modernity. The article emphasizes the overlapping interests in this by academic art history and criticism as well as museal and curatorial efforts and discusses the idea of curatorial research in these different approaches.",
author = "Kristian Handberg",
year = "2016",
month = apr,
day = "29",
doi = "10.3402/jac.v8.30925",
language = "English",
volume = "8",
journal = "Journal of Aesthetics and Culture",
issn = "2000-4214",
publisher = "Taylor & Francis",

}

RIS

TY - JOUR

T1 - The world goes modern 

T2 - new globalized framings of the postwar era in the contemporary exhibitions After Year Zero and The World Goes Pop

AU - Handberg, Kristian

PY - 2016/4/29

Y1 - 2016/4/29

N2 - The article analyzes the contemporary art historical focus on multiple modernities through two significant exhibitions: After Year Zero at Haus der Kulturen der Welt, Berlin 2013/Museum of Modern Art, Warsaw 2015 and The World Goes Pop, Tate Modern, London (2015). These different exhibitions are aimed at re-reading the post-1945 era in a global context, discussing how arts and culture responded to a global modernity. The article emphasizes the overlapping interests in this by academic art history and criticism as well as museal and curatorial efforts and discusses the idea of curatorial research in these different approaches.

AB - The article analyzes the contemporary art historical focus on multiple modernities through two significant exhibitions: After Year Zero at Haus der Kulturen der Welt, Berlin 2013/Museum of Modern Art, Warsaw 2015 and The World Goes Pop, Tate Modern, London (2015). These different exhibitions are aimed at re-reading the post-1945 era in a global context, discussing how arts and culture responded to a global modernity. The article emphasizes the overlapping interests in this by academic art history and criticism as well as museal and curatorial efforts and discusses the idea of curatorial research in these different approaches.

UR - http://www.aestheticsandculture.net/index.php/jac/article/view/30925

U2 - 10.3402/jac.v8.30925

DO - 10.3402/jac.v8.30925

M3 - Journal article

VL - 8

JO - Journal of Aesthetics and Culture

JF - Journal of Aesthetics and Culture

SN - 2000-4214

ER -

ID: 160976255