The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Standard

The Notion of an Imaginary Space in Music : Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts. / Petersen, Nils Holger.

In-visibility: Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts. ed. / Anna Vind; Iben Damgaard; Kirsten Busch Nielsen; Sven Rune Havsteen. Göttingen : Vandenhoeck & Ruprecht, 2020. p. 339 - 359 (Refo500 Academic Studies, Vol. 18).

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Harvard

Petersen, NH 2020, The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts. in A Vind, I Damgaard, KB Nielsen & SR Havsteen (eds), In-visibility: Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts. Vandenhoeck & Ruprecht, Göttingen, Refo500 Academic Studies, vol. 18, pp. 339 - 359.

APA

Petersen, N. H. (2020). The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts. In A. Vind, I. Damgaard, K. B. Nielsen, & S. R. Havsteen (Eds.), In-visibility: Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts (pp. 339 - 359). Vandenhoeck & Ruprecht. Refo500 Academic Studies Vol. 18

Vancouver

Petersen NH. The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts. In Vind A, Damgaard I, Nielsen KB, Havsteen SR, editors, In-visibility: Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts. Göttingen: Vandenhoeck & Ruprecht. 2020. p. 339 - 359. (Refo500 Academic Studies, Vol. 18).

Author

Petersen, Nils Holger. / The Notion of an Imaginary Space in Music : Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts. In-visibility: Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts. editor / Anna Vind ; Iben Damgaard ; Kirsten Busch Nielsen ; Sven Rune Havsteen. Göttingen : Vandenhoeck & Ruprecht, 2020. pp. 339 - 359 (Refo500 Academic Studies, Vol. 18).

Bibtex

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title = "The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts",
abstract = "Taking its point of departure in the traditional musicological question of how tounderstand the notion of the “musical work” – in terms of its – visible – notationor its – invisible – performance? – this article discusses the consequences of newlistening practices for historical compositions of liturgical texts in other religiousor secular contexts than the original. The article raises the question, what thismay mean for the understanding of the musical work. Based on a philosophicalidea expressed by the Danish theologian-philosopher K.E. L{\o}gstrup, this leads tonotions of different imaginary (and thus invisible) musical spaces connected towhat is traditionally understood as one musical work. Along the way, Mozart{\textquoteright}sRequiem (1791) and its reception history are used as the overarching example.",
keywords = "Faculty of Theology, Liturgical Music, L{\o}gstrup's notion of Imaginary Space, holiness in poetry and music, Faculty of Humanities, Mozart's Requiem, Music, work esthetics, the sublime",
author = "Petersen, {Nils Holger}",
year = "2020",
language = "English",
isbn = "978-3-525-55071-7",
series = "Refo500 Academic Studies",
pages = "339 -- 359",
editor = "Anna Vind and Iben Damgaard and Nielsen, {Kirsten Busch} and Havsteen, {Sven Rune}",
booktitle = "In-visibility",
publisher = "Vandenhoeck & Ruprecht",

}

RIS

TY - CHAP

T1 - The Notion of an Imaginary Space in Music

T2 - Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts

AU - Petersen, Nils Holger

PY - 2020

Y1 - 2020

N2 - Taking its point of departure in the traditional musicological question of how tounderstand the notion of the “musical work” – in terms of its – visible – notationor its – invisible – performance? – this article discusses the consequences of newlistening practices for historical compositions of liturgical texts in other religiousor secular contexts than the original. The article raises the question, what thismay mean for the understanding of the musical work. Based on a philosophicalidea expressed by the Danish theologian-philosopher K.E. Løgstrup, this leads tonotions of different imaginary (and thus invisible) musical spaces connected towhat is traditionally understood as one musical work. Along the way, Mozart’sRequiem (1791) and its reception history are used as the overarching example.

AB - Taking its point of departure in the traditional musicological question of how tounderstand the notion of the “musical work” – in terms of its – visible – notationor its – invisible – performance? – this article discusses the consequences of newlistening practices for historical compositions of liturgical texts in other religiousor secular contexts than the original. The article raises the question, what thismay mean for the understanding of the musical work. Based on a philosophicalidea expressed by the Danish theologian-philosopher K.E. Løgstrup, this leads tonotions of different imaginary (and thus invisible) musical spaces connected towhat is traditionally understood as one musical work. Along the way, Mozart’sRequiem (1791) and its reception history are used as the overarching example.

KW - Faculty of Theology

KW - Liturgical Music

KW - Løgstrup's notion of Imaginary Space

KW - holiness in poetry and music

KW - Faculty of Humanities

KW - Mozart's Requiem

KW - Music

KW - work esthetics

KW - the sublime

M3 - Book chapter

SN - 978-3-525-55071-7

T3 - Refo500 Academic Studies

SP - 339

EP - 359

BT - In-visibility

A2 - Vind, Anna

A2 - Damgaard, Iben

A2 - Nielsen, Kirsten Busch

A2 - Havsteen, Sven Rune

PB - Vandenhoeck & Ruprecht

CY - Göttingen

ER -

ID: 251025823