‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries

Research output: Chapter in Book/Report/Conference proceedingArticle in proceedingsResearchpeer-review

Standard

‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries. / Malcolm-Davies, Jane Anne.

Archaeological textiles - links between past and present, NESAT XIII: Archaeolingua. ed. / M Bravermanová; H Březinová; Jane Malcolm-Davies. Vol. 34 Liberec : Archaeolingua Alapitvany, Budapest., 2018. p. 187-195 & 339.

Research output: Chapter in Book/Report/Conference proceedingArticle in proceedingsResearchpeer-review

Harvard

Malcolm-Davies, JA 2018, ‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries. in M Bravermanová, H Březinová & J Malcolm-Davies (eds), Archaeological textiles - links between past and present, NESAT XIII: Archaeolingua. vol. 34, Archaeolingua Alapitvany, Budapest., Liberec, pp. 187-195 & 339.

APA

Malcolm-Davies, J. A. (2018). ‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries. In M. Bravermanová, H. Březinová, & J. Malcolm-Davies (Eds.), Archaeological textiles - links between past and present, NESAT XIII: Archaeolingua (Vol. 34, pp. 187-195 & 339). Archaeolingua Alapitvany, Budapest..

Vancouver

Malcolm-Davies JA. ‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries. In Bravermanová M, Březinová H, Malcolm-Davies J, editors, Archaeological textiles - links between past and present, NESAT XIII: Archaeolingua. Vol. 34. Liberec: Archaeolingua Alapitvany, Budapest. 2018. p. 187-195 & 339

Author

Malcolm-Davies, Jane Anne. / ‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries. Archaeological textiles - links between past and present, NESAT XIII: Archaeolingua. editor / M Bravermanová ; H Březinová ; Jane Malcolm-Davies. Vol. 34 Liberec : Archaeolingua Alapitvany, Budapest., 2018. pp. 187-195 & 339

Bibtex

@inproceedings{4a35afaefabe4f19a20905a2d0e359fe,
title = "{\textquoteleft}Silk{\textquoteright} Hats from a Sheep{\textquoteright}s Back: how 16th century craftspeople created legal luxuries",
abstract = "New scientific evidence of trade in raw materials and finished goods for the knitted textile trade is emerging from a scientific study of more than 100 extant knitted caps from the 16th century. These long-overlooked archaeological data are being re-excavated from museum archives for analysis in innovative ways and made available for wider study online. The woollen caps are recorded in European collections as having been shipwrecked, deliberately concealed, preserved in peat bogs, or discarded as beyond use in far-flung locations across Europe – as far north as Denmark and as far south as Croatia. This paper reports the fleece{\textquoteright}s journey from the sheep{\textquoteright}s back to the sixteenth century citizen{\textquoteright}s head based on a variety of evidence, including protectionist legislation, microscopic investigation of the materials used, and modern-day craft expertise. Not only the method of knitting but the choice of yarn, spin, ply, and surface treatments such as fulling, napping and shearing have been successfullyrecreated, together with the specialist equipment required. Campaigns to protect the capping trade across Europe yielded clues to the proto-industrial settings in which the wool was transformed into a functional fulled fabric providing protection against the weather but also emulating the dress of the elite. Experimental archaeological work with comparative and contemporary craftwork has shed light on the processes required to create the mock velvet nap, which made these caps desirable to those prevented from wearing silk by sumptuary law. The use of x-ray micro-computed tomography scanning as part of an interdisciplinary framework of investigation hasshown new ways to explore the materials used to knit and finish the caps. These techniques build on pioneering work with fibre analysis in the 1980s, which identified wool but could not determine specific fleece types and more recent studies which differentiated between early sheep breeds. This new evidence explains how the sheepfleece was crucial to the final appearance of the caps in wear. The knitted caps represent an astonishing body of evidence for the manufacture of ordinary men{\textquoteright}s clothing and demonstrate the importance of knitting in creating an iconic item of lower-class dress in the Early Modern era.",
author = "Malcolm-Davies, {Jane Anne}",
year = "2018",
language = "English",
volume = "34",
pages = "187--195 & 339",
editor = "M Bravermanov{\'a} and H B{\v r}ezinov{\'a} and Jane Malcolm-Davies",
booktitle = "Archaeological textiles - links between past and present, NESAT XIII",
publisher = "Archaeolingua Alapitvany, Budapest.",

}

RIS

TY - GEN

T1 - ‘Silk’ Hats from a Sheep’s Back: how 16th century craftspeople created legal luxuries

AU - Malcolm-Davies, Jane Anne

PY - 2018

Y1 - 2018

N2 - New scientific evidence of trade in raw materials and finished goods for the knitted textile trade is emerging from a scientific study of more than 100 extant knitted caps from the 16th century. These long-overlooked archaeological data are being re-excavated from museum archives for analysis in innovative ways and made available for wider study online. The woollen caps are recorded in European collections as having been shipwrecked, deliberately concealed, preserved in peat bogs, or discarded as beyond use in far-flung locations across Europe – as far north as Denmark and as far south as Croatia. This paper reports the fleece’s journey from the sheep’s back to the sixteenth century citizen’s head based on a variety of evidence, including protectionist legislation, microscopic investigation of the materials used, and modern-day craft expertise. Not only the method of knitting but the choice of yarn, spin, ply, and surface treatments such as fulling, napping and shearing have been successfullyrecreated, together with the specialist equipment required. Campaigns to protect the capping trade across Europe yielded clues to the proto-industrial settings in which the wool was transformed into a functional fulled fabric providing protection against the weather but also emulating the dress of the elite. Experimental archaeological work with comparative and contemporary craftwork has shed light on the processes required to create the mock velvet nap, which made these caps desirable to those prevented from wearing silk by sumptuary law. The use of x-ray micro-computed tomography scanning as part of an interdisciplinary framework of investigation hasshown new ways to explore the materials used to knit and finish the caps. These techniques build on pioneering work with fibre analysis in the 1980s, which identified wool but could not determine specific fleece types and more recent studies which differentiated between early sheep breeds. This new evidence explains how the sheepfleece was crucial to the final appearance of the caps in wear. The knitted caps represent an astonishing body of evidence for the manufacture of ordinary men’s clothing and demonstrate the importance of knitting in creating an iconic item of lower-class dress in the Early Modern era.

AB - New scientific evidence of trade in raw materials and finished goods for the knitted textile trade is emerging from a scientific study of more than 100 extant knitted caps from the 16th century. These long-overlooked archaeological data are being re-excavated from museum archives for analysis in innovative ways and made available for wider study online. The woollen caps are recorded in European collections as having been shipwrecked, deliberately concealed, preserved in peat bogs, or discarded as beyond use in far-flung locations across Europe – as far north as Denmark and as far south as Croatia. This paper reports the fleece’s journey from the sheep’s back to the sixteenth century citizen’s head based on a variety of evidence, including protectionist legislation, microscopic investigation of the materials used, and modern-day craft expertise. Not only the method of knitting but the choice of yarn, spin, ply, and surface treatments such as fulling, napping and shearing have been successfullyrecreated, together with the specialist equipment required. Campaigns to protect the capping trade across Europe yielded clues to the proto-industrial settings in which the wool was transformed into a functional fulled fabric providing protection against the weather but also emulating the dress of the elite. Experimental archaeological work with comparative and contemporary craftwork has shed light on the processes required to create the mock velvet nap, which made these caps desirable to those prevented from wearing silk by sumptuary law. The use of x-ray micro-computed tomography scanning as part of an interdisciplinary framework of investigation hasshown new ways to explore the materials used to knit and finish the caps. These techniques build on pioneering work with fibre analysis in the 1980s, which identified wool but could not determine specific fleece types and more recent studies which differentiated between early sheep breeds. This new evidence explains how the sheepfleece was crucial to the final appearance of the caps in wear. The knitted caps represent an astonishing body of evidence for the manufacture of ordinary men’s clothing and demonstrate the importance of knitting in creating an iconic item of lower-class dress in the Early Modern era.

M3 - Article in proceedings

VL - 34

SP - 187-195 & 339

BT - Archaeological textiles - links between past and present, NESAT XIII

A2 - Bravermanová, M

A2 - Březinová, H

A2 - Malcolm-Davies, Jane

PB - Archaeolingua Alapitvany, Budapest.

CY - Liberec

ER -

ID: 213171332