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Long Intonations and Kalophonia : Traces of stylistic development in Late Byzantine Echemata. / Troelsgård, Christian.
Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005. ed. / Gerda Wolfram. Vol. 8 1. ed. Leuven/Louvain : Peeters, 2008. p. 65-78.
Research output: Chapter in Book/Report/Conference proceeding › Book chapter › Research
Harvard
Troelsgård, C 2008, Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata. in G Wolfram (ed.), Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005. 1 edn, vol. 8, Peeters, Leuven/Louvain, pp. 65-78.
APA
Troelsgård, C. (2008). Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata. In G. Wolfram (Ed.), Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005 (1 ed., Vol. 8, pp. 65-78). Peeters.
Vancouver
Troelsgård C. Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata. In Wolfram G, editor, Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005. 1 ed. Vol. 8. Leuven/Louvain: Peeters. 2008. p. 65-78
Author
Troelsgård, Christian. / Long Intonations and Kalophonia : Traces of stylistic development in Late Byzantine Echemata. Eastern Christian Studies: Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005. editor / Gerda Wolfram. Vol. 8 1. ed. Leuven/Louvain : Peeters, 2008. pp. 65-78
Bibtex
@inbook{4dab35701abd11ddbee902004c4f4f50,
title = "Long Intonations and Kalophonia: Traces of stylistic development in Late Byzantine Echemata",
abstract = "The paper shows that the melodic material in quasi-improvised intonation melodies (echemata) in the period from c. 1200 to 1400 develop from being drawn from the traditional genres - especially the pasltikon and asmatikon - to acquiring a more free and decidely 'kalophonic' character.",
keywords = "Faculty of Humanities, Intonationsmelodier, Echemata",
author = "Christian Troelsg{\aa}rd",
year = "2008",
language = "English",
isbn = "978-90-429-2015-6",
volume = "8",
pages = "65--78",
editor = "Gerda Wolfram",
booktitle = "Eastern Christian Studies",
publisher = "Peeters",
address = "Belgium",
edition = "1",
}
RIS
TY - CHAP
T1 - Long Intonations and Kalophonia
T2 - Traces of stylistic development in Late Byzantine Echemata
AU - Troelsgård, Christian
PY - 2008
Y1 - 2008
N2 - The paper shows that the melodic material in quasi-improvised intonation melodies (echemata) in the period from c. 1200 to 1400 develop from being drawn from the traditional genres - especially the pasltikon and asmatikon - to acquiring a more free and decidely 'kalophonic' character.
AB - The paper shows that the melodic material in quasi-improvised intonation melodies (echemata) in the period from c. 1200 to 1400 develop from being drawn from the traditional genres - especially the pasltikon and asmatikon - to acquiring a more free and decidely 'kalophonic' character.
KW - Faculty of Humanities
KW - Intonationsmelodier
KW - Echemata
M3 - Book chapter
SN - 978-90-429-2015-6
VL - 8
SP - 65
EP - 78
BT - Eastern Christian Studies
A2 - Wolfram, Gerda
PB - Peeters
CY - Leuven/Louvain
ER -
