TY - CHAP

T1 - Isomorphic Articulations

T2 - Notes from collaborative film-work in an Afghan-Danish Film Collective

AU - Waltorp, Karen

AU - ARTlife Film Collective

PY - 2021/4/28

Y1 - 2021/4/28

N2 - The chapter is written in collaboration with the ARTlife Film Collective (Sama Sadat Ben Haddou, Nilab Totakhil, Asma Mohammedzai Safi, Mursal Khosrawi, Karen Waltorp) which grew out of the research project: 'ARTlife: Articulations of Life among Afghans in Denmark’ and its experiments with co-generating spaces of articulation beyond the verbal and that which can be grasped within conventional academic discourse.The ARTlife Film Collective works with 'research-through-filmmaking', akin to 'research-through-design' approaches that acknowledge the interventional, and the researcher's entwinement with that which is researched. The chapter unpacks the notions of ’collaboration’ and 'workshop’ pivotal in this project and discusses how the circulation of images in social media concretely was part of the knowledge emerging between the members of collective. This is conceptualized as ’isomorphic articulations’: Gregory Bateson advocated remaining systematic and rigorous in working open-ended with no narrowly predefined goal, and Eduardo Kohn, inspired by Bateson, suggests an anthropological thinking that is isomorphic, that is, corresponding or similar in form and relations. The chapter unfolds moments in the Film Collectives process toward isomorphic articulations in/across registers and modalities, and finally it zooms in on how this process entails unlearning and relinquishing of control.

AB - The chapter is written in collaboration with the ARTlife Film Collective (Sama Sadat Ben Haddou, Nilab Totakhil, Asma Mohammedzai Safi, Mursal Khosrawi, Karen Waltorp) which grew out of the research project: 'ARTlife: Articulations of Life among Afghans in Denmark’ and its experiments with co-generating spaces of articulation beyond the verbal and that which can be grasped within conventional academic discourse.The ARTlife Film Collective works with 'research-through-filmmaking', akin to 'research-through-design' approaches that acknowledge the interventional, and the researcher's entwinement with that which is researched. The chapter unpacks the notions of ’collaboration’ and 'workshop’ pivotal in this project and discusses how the circulation of images in social media concretely was part of the knowledge emerging between the members of collective. This is conceptualized as ’isomorphic articulations’: Gregory Bateson advocated remaining systematic and rigorous in working open-ended with no narrowly predefined goal, and Eduardo Kohn, inspired by Bateson, suggests an anthropological thinking that is isomorphic, that is, corresponding or similar in form and relations. The chapter unfolds moments in the Film Collectives process toward isomorphic articulations in/across registers and modalities, and finally it zooms in on how this process entails unlearning and relinquishing of control.

KW - Faculty of Social Sciences

KW - Isomorphic

KW - Articulation

KW - Visual anthropology

KW - Collective

KW - Peripheral

KW - Greyness

KW - Digital anthropology

KW - Representation

KW - Experimental ethnography

KW - Poetry and Politics

UR - https://anthropology.ku.dk/research/new_publications/2021/isomorphic-articulations-notes-from-collaborative-film-work-in-an-afghan-danish-film-collective/

M3 - Book chapter

SN - ISBN 9781350173071

T3 - Anthropological Studies of Creativity and Perception

BT - Peripheral Methodologies

A2 - Martinez, Francisco

A2 - Di Puppo, Lili

A2 - Demant Frederiksen, Martin

PB - Routledge

CY - London

ER -