Identity Politics, Institutional Multiculturalism, and the Global Artworld

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

Identity Politics, Institutional Multiculturalism, and the Global Artworld. / Petersen, Anne Ring.

In: Third Text, Vol. 26, No. 2, 03.2012, p. 195-204.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Petersen, AR 2012, 'Identity Politics, Institutional Multiculturalism, and the Global Artworld', Third Text, vol. 26, no. 2, pp. 195-204.

APA

Petersen, A. R. (2012). Identity Politics, Institutional Multiculturalism, and the Global Artworld. Third Text, 26(2), 195-204.

Vancouver

Petersen AR. Identity Politics, Institutional Multiculturalism, and the Global Artworld. Third Text. 2012 Mar;26(2):195-204.

Author

Petersen, Anne Ring. / Identity Politics, Institutional Multiculturalism, and the Global Artworld. In: Third Text. 2012 ; Vol. 26, No. 2. pp. 195-204.

Bibtex

@article{bac96e5fd25340e984312c7fac428903,
title = "Identity Politics, Institutional Multiculturalism, and the Global Artworld",
abstract = "Questions of cultural identity and the status of non-Western artists in the West have been important to the discourses on contemporary art for at least two decades. This article considers the connections between the critical discourse on cultural identity, the globalisation of the art world and the adoption of multicultural policies by Western art institutions. It is argued that discussions from the last two decades have not only made it clear that institutional multiculturalism is not the answer to the problem of attaining 'true' recognition of non-Western artists, but also revealed that the critical discourse on identity politics has not been able to come up with solutions, either. In fact, it is marred by the same binary thinking and mechanisms of exclusion that it aims to deconstruct. To get beyond the deadlock of the critical discourse on identity politics, the article suggests that it is necessary to reconsider the works of art themselves from an aesthetic and epistemological point of view.",
keywords = "Faculty of Humanities, kulturel identitet, cultural identity, multikulturalisme, multiculturalism, global art, global art world, ny-internationalisme, new internationalism, kunstinstitutioner, art institutions, Documenta, migration, eurocentrisme, eurocentricity",
author = "Petersen, {Anne Ring}",
note = "Online adgang til artiklen via REX",
year = "2012",
month = mar,
language = "English",
volume = "26",
pages = "195--204",
journal = "Third Text",
issn = "0952-8822",
publisher = "Routledge",
number = "2",

}

RIS

TY - JOUR

T1 - Identity Politics, Institutional Multiculturalism, and the Global Artworld

AU - Petersen, Anne Ring

N1 - Online adgang til artiklen via REX

PY - 2012/3

Y1 - 2012/3

N2 - Questions of cultural identity and the status of non-Western artists in the West have been important to the discourses on contemporary art for at least two decades. This article considers the connections between the critical discourse on cultural identity, the globalisation of the art world and the adoption of multicultural policies by Western art institutions. It is argued that discussions from the last two decades have not only made it clear that institutional multiculturalism is not the answer to the problem of attaining 'true' recognition of non-Western artists, but also revealed that the critical discourse on identity politics has not been able to come up with solutions, either. In fact, it is marred by the same binary thinking and mechanisms of exclusion that it aims to deconstruct. To get beyond the deadlock of the critical discourse on identity politics, the article suggests that it is necessary to reconsider the works of art themselves from an aesthetic and epistemological point of view.

AB - Questions of cultural identity and the status of non-Western artists in the West have been important to the discourses on contemporary art for at least two decades. This article considers the connections between the critical discourse on cultural identity, the globalisation of the art world and the adoption of multicultural policies by Western art institutions. It is argued that discussions from the last two decades have not only made it clear that institutional multiculturalism is not the answer to the problem of attaining 'true' recognition of non-Western artists, but also revealed that the critical discourse on identity politics has not been able to come up with solutions, either. In fact, it is marred by the same binary thinking and mechanisms of exclusion that it aims to deconstruct. To get beyond the deadlock of the critical discourse on identity politics, the article suggests that it is necessary to reconsider the works of art themselves from an aesthetic and epistemological point of view.

KW - Faculty of Humanities

KW - kulturel identitet

KW - cultural identity

KW - multikulturalisme

KW - multiculturalism

KW - global art

KW - global art world

KW - ny-internationalisme

KW - new internationalism

KW - kunstinstitutioner

KW - art institutions

KW - Documenta

KW - migration

KW - eurocentrisme

KW - eurocentricity

M3 - Journal article

VL - 26

SP - 195

EP - 204

JO - Third Text

JF - Third Text

SN - 0952-8822

IS - 2

ER -

ID: 37887378