In Swedish theater, “collations” are procedures in which actors read through scripts for the first time, without dramatization. This impassive ritual informs Annika Lundgren’s exhibition “In This Country, Comrade (a collation),” whose spare set designs are accompanied by a trio of performers each Sunday. During these informal performances, a manuscript by Lundgren is read aloud as in a final round of edits, after which it will supposedly be published in an artist book alongside documentation of the performance and installation. As in her previous work with textual montage, Lundgren’s project channels the means and ends of its manifestation into a single loop.