Nicoletta Isar

Nicoletta Isar

Professor Emerita


  1. 2014
  2. Published

    Byzantine Parthenogenesis as Hierotopy of Fluid Brilliance

    Isar, Nicoletta, 2014, Water in the Hierotopy and Iconography of the Christian world: The Life-giving source: Вода в иеротопии и иконографии христианского мира: Живоносный источник. Lidov, A. M. (ed.). Russian Academy of Arts, p. 64-66

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

  3. Published

    Veiled Word(s) – Sacred Silence: Screening the Mystery in the Byzantine Altar

    Isar, Nicoletta, 2014, Image and Altar 800‑1300. Papers from an International Conference in Copenhagen 24 October – 27 October 2007: Publications from the National Museum Studies in Archaeology & History Vol. XX. Grinder-Hansen, P. (ed.). Odense: Syddansk Universitetsforlag, p. 27-44 18 p. (Publications of the National Museum. Studies in Archaeology & History, Vol. 23).

    Research output: Chapter in Book/Report/Conference proceedingArticle in proceedingsResearchpeer-review

  4. Published

    Χορός: A stage-shifting periact on which all the earth will dance. A Paradigm for dance from Antiquity to Byzantium and beyond

    Isar, Nicoletta, 2014, Danses imaginades, danses relatades. Dancing Images and Tales: Paradigmes iconogràfics del ball des de l’Antiguitat clàssica fins a l’edat mitjana. Iconography of dance from Classical to Middle Age. Buttà, L., Carruesco, J., Massip, F. & Subías, E. (eds.). Tarragona: Institut Català d’Arqueologia Clàssica, Vol. T R A M A 1 TREBALLS D’ARQUEOLOGIA DE LA MEDITERRÀNIA ANTIGA . p. 51-64 14 p.

    Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

ID: 9168